Breakdown tom petty lyrics4/25/2023 The marriage between the melody and the words is spot on in each one of them. As you read the above bolded words/phrases, sing the melody that goes along with each one. In addition, vocally Petty really finds great melodies that complement his word choices. This highly emphasized and dressed up form of presenting the hook, makes songs instantly very catchy. In each of these songs, the hook is right in the spotlight, positioned in the chorus of the song, which repeats over and over. Other notable examples are Free Fallin’ (“and I’m free, free fallin‘”), Refugee (You don’t have to live like a refugee Don’t have to live like a refugee), Runnin’ Down a Dream (Yeah runnin’ down a dream That never would’ve come to me Workin’ on a mystery, goin’ wherever it leads Runnin’ down a dream). Though very simple in design, it creates a nuance that catches the ear and makes it very easy to tell even just from the opening chord progression what song is being played. This results in a feel that sounds like grouping of 4, 3, and 9 (5+4). However, Petty plays it more like this Em(4) – D(3) – G(5) – G(4), with an odd grouping of rhythms allocated between the D chord and the first G chord. Perhaps 4 eighth note strums per chord: like this Em(4) – D(4) – G(4) – G(4). Most people, however, would strum the chords very evenly. This is a pretty typical chord progression in the key of G, with the minor vi chord moving to a V chord and back to the I chord. For example, in I Won’t Back Down, the first chord progression is very simple: Em – D – G – G, with 2 quarter note beats per chord. Of note, Petty did a fair amount of co-writing with Mike Campbell (of the Heartbreakers) and Jeff Lynne (of ELO and the Traveling Wilburys).įirst, Petty often used uneven rhythms moving from one chord to the next ( uneven rhythmic subdivisions). Later, he joined the Traveling Wilbury’s with the likes of Bob Dylan himself, George Harrison of the Beatles and Roy Orbison, where Petty was influenced harmonically by George Harrison, melodically from Roy Orbison, and overall from the “spontaneous brilliance” of Bob Dylan. Specifically, he sang a lot of Byrds and Dylan covers which complemented his folk rock vocals. Early in his music career, Petty spent a lot of time learning songs from records to use for cover performances. It moves, it heals, it communicates and does all these incredible things.” Petty was a true conduit of that magic, but he also was a student of his craft drawing a lot from his experience learning from artists like the Byrds, Elvis, Bruce Springsteen, and later from Bob Dylan, Roy Orbison, Jeff Lynne, and George Harrison of the Beatles, especially as a member of the Traveling Wilburys. Tom Petty once said “usic is probably the only real magic I have encountered in my life.
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